Dido & Aeneas

2021

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Collaboration

® Carole Parodi

ABOUT THIS PRODUCTION



Dido & Aeneas (2021) is Peeping Tom’s first opera. Written by English composer Henry Purcell in around 1688, Dido & Aeneas will unite Peeping Tom’s performers and their unique theatrical language with the world of the opera. The piece, directed by Franck Chartier, is created in collaboration with Emmanuelle Haïm’s Le Concert d’Astrée for the Grand Théâtre de Genève and will premiere on 2 May 2021 in Geneva.


Dido & Æneas was written to be performed in an orphanage for girls by the girls themselves (at least a part of them and a part of the work). Is this the reason why Æneas, even if he features in the title of the opera, only shows up relatively late and actually sings very little before disappearing and leaving the women in their former state of solitude and ennui. From the very beginning, Dido’s grief contains inexhaustible depths and we know that all this won’t end well as we dive into Dido’s psychological abyss.


In the theatrical world of Peeping Tom, relationships between the beings who inhabit the stage are the starting-point of endless explorations inside bodies and minds. As they zoom in and out, we embark on a journey from microscopic impressions to macroscopic feelings as huge as… the most grossly misshapen of superlative realities. This world of psyche and emotion, with rules that are both strict and organic, will be asked to stage an opera for the first time in the collective’s history. Fortunately, there’s all the space they need on the Grand Théâtre stage, so no fear that they might get stuck.


And no fear they should creak either! Since Emmanuelle Haïm herself is officiating as mistress of ceremonies at the head of the ensemble with which she has long been exploring the music of Henry Purcell. Le Concert d’Astrée will themselves be busy with some improvisational pyrotechnics, shifting from one reality on the stage to another, from authentic musical textures to magnificent chromatics inspired by Dido’s famous final lament “When I am laid in earth” from the only opera the British Orpheus ever composed. This is Dido like you have never seen or heard it before.


DETAILED INFO

Stage Director and Choreographer

Franck Chartier


Musical Director

Emmanuelle Haïm


Scenographer

Justine Bougerol


Costume designer

Anne-Catherine Kunz, Marie Messian (Make-up research Brussels), Chiara Mazzarolo (stage)


Lighting Designer

Giacomo Gorini


Sound

Atushi Sakaï (Additional musical composition), Raphaëlle Latini (Sound designer), Hjorvar Rognvaldsson (Sound engineer), Elias Vervecken (Foley)


Props

Nina Lopez Le Galliard, Clément Michaux (stage), Jerôme Lamoureux (stage)


Technical master

Filip Timmerman, Sam Vandenhoeck (stage)


Dramaturgy

Clara Pons


Artistic collaborator

Eurudike De Beul


Assistant to the Director

Lulu Tikovsky


Choreography Assistant

Samuel Lefeuvre, Louis-Clément Da Costa


 


Dido/Sorceress

Marie-Claude Chappuis


Aeneas/Sailor

Jarrett Ott


Belinda

Emöke Baráth


2nd Woman / 1st Witch

Marie Lys


Creation and performance by the artists of Peeping Tom

Eurudike De Beul, Leo De Beul, Marie Gyselbrecht, Hunmok Jung, Brandon Lagaert, Chen-Wei Lee, Yichun Liu, Meng-ke Wu, Romeu Runa, Nelson Earl and Christina Guieb


With the orchestra and choir of the Concert d’Astrée

 

Production

Grand Théâtre de Genève


Co-production

Opéra de Lille, Les Théâtres de la Ville du Luxembourg